The Island of the Fishmen (1979)
In the Spirit of Howard Philips.
It is the year 1891 and a military doctor, Lieutenant Claude de Ross (Claudio Cassinelli) a survivor of not one, but two shipwrecks, washes ashore on a mysterious, uncharted Caribbean island along with a handful of convicts. When several of these convicts meet unfortunate ends at the hands of the titular fishmen, Claude and the other survivors flee into the jungle, only to encounter the sadistic Edmond Rackham (Richard Johnson) and his beautiful captive Amanda Marvin (Barbara Bach).
Amanda's father, Professor Ernest Marvin (Joseph Cotten), a once-famed biologist, has discovered a way to transform humans into amphibious creatures and controls their every move. Rackham manipulates Marvin into performing the procedure upon both willing and unwilling participants by assuring him that his work is undertaken for purely scientific and humanitarian motives (Marvin hopes to reduce strain on the world food supply by creating a race of people who can live in the resource-untapped ocean). Having discovered the lost city of Atlantis beneath the waters surrounding the island however, Rackham is in actuality using the half-human monsters to plunder the lost city of its treasures.
Shakira (Beryl Cunningham), a voodoo priestess in the employ of Rackham foretells death and destruction descending upon the island.
The priestess' prophecy is fulfilled as the film ends with Claude and Amanda attempting an escape from a gun-wielding Rackham, a crazed Shakira, uncontrolled fishmen and the very volcano that doomed Atlantis which awakens and threatens to send what unsubmerged landmass remains to oblivion.
After being acquired by American distributors New World Pictures and United Pictures Organization, Miller Drake was hired to pen and helm a new opening for the film. This prologue featured Cameron Mitchell as a sea captain leading a gentleman (Mel Ferrer) who had squandered his family fortune in search of Atlantean treasure on the island.
This footage contained grisly special make-up effects of fishmen-inflicted wounds created by Chris Walas. Changes to the film itself included the addition of musical cues by Sandy Berman not present in the Italian cut, a new English dub track and a new title, 'Something Waits in the Dark'.
After this 1980 release proved unsuccessful, Jim Wynorski spearheaded New World Pictures' re-release of the film. Wynorski retitled the film (again) and for this new version, entitled 'Screamers', a scene of a man being turned inside-out was filmed specifically for inclusion in a trailer designed to lure in audiences who failed to give 'Something Waits in the Dark' much notice.
Upon its release in June 1981, 'Screamers' performed well for its releasing company but when moviegoers complained that the gruesome "man turned inside-out" scene was not included in the actual release, prints were sent back to New World to have the demanded scene spliced in. This sequence has never been seen on home video as it was not part of the original negative.
Both Something Waits in the Dark and Screamers run approximately 85 minutes in length. Roughly half an hour of footage was excised from L'isola degli uomini pesce in order to make room for the above-mentioned stateside additions.
- It was followed by a sequal 'The Fishmen and Their Queen'.
- The Fishmen who live in a sunken city bear a lot of similarites to Deep Ones.
- Also known as 'Something Waits in the Dark' and 'Screamers' .